[CPProt.net] RE: British Museum returns African treasures for Kenyan exhibition

[MSN CPPnet (Ton Cremers)]

December 4, 2005

It seems there is a basic misunderstanding in this report about the British
Museum giving 'loans' of African art to African countries. It is the British
Museum that keeps these objects as a loan (loot, theft), and not the other
way around. African countries - or rather: African museum curators -
accepting this BM terminology and accepting that objects that were looted
will go temporarily back to Africa as loans, really accept the legitimacy of
these loots.

These objects were taken to England as colonial plunder. The British Museum
a treasure store of world culture? Beautifully phrased, but most of this BM
world culture was stolen from the source countries abusing military force.
It really is outrageous that the BM even dares to say that the source
countries are allowed to loan what is rightfully theirs. It also is about
time that the BM pays the source countries a loan fee exactly on the same
conditions as loan fees are being paid between European and American
museums. Every day the BM is displaying or storing African cultural objects
African nations are being denied their national identities and robbed of the
opportunity to show this identity to their inhabitants and visitors from
other countries. The BM must agree that these objects rightfully belong to
the source countries. 

The past year there were several reports that by law is not allowed to
return objects to source countries. First cultural objects are looted from
colonized countries, and then litigation is drawn prohibiting the return of
these objects. This cannot be serious.

It is up to the source countries to voluntarily accept that the BM borrows
these objects (and pay for this).

Ton Cremers




British Museum returns African treasures for Kenyan exhibition 
Published: 30 November 2005 

When the Kenyan curator Kiprop Lagat was invited in to the British Museum
this year, he was given free rein to peruse all the 12,000 treasures in its
vast eastern Africa collections. 

Now, in a groundbreaking deal which could resolve decades of bickering over
Britain's colonial plundering, 140 of those items are going back to Africa
for the first time for a special exhibition which will open in Nairobi in
the spring.

Visitors to the Kenyan show will get the chance to see wooden sculptures,
silver and beaded jewellery and circumcision masks thousands of miles from
their "home" in London - but much closer to the communities that made them.

"There are things here I hadn't seen before, things that were collected in
Kenya," Mr Lagat said at the British Museum yesterday. "It was very
exciting."

The unprecedented collaboration, announced yesterday, between the National
Museums of Kenya and the British Museum, sees the British institution
bidding to make its claim to be the treasure store of the world a practical
reality.

Neil MacGregor, the museum's director, said: "We hope it will be a model for
the future. The British Museum is committed to developing these kinds of
collaborations across the world to generate a deeper understanding of a
global citizenship."

With increasing numbers of claims for the restitution of cultural objects to
the Third World, the museum has been rethinking its role to emphasise that
it holds such heritage in trust. The new approach means there will be more
loans and exhibitions, as well as training programmes for curators and
support for conservation and research.

A conference for museum professionals from across sub-Saharan Africa will
take place in Mombasa next week with backing from the British Council and
the Department for Culture, Media and Sport, which have pledged a total of
£1m between them towards the African initiative.

Dr Farah Idle, director general of the National Museums of Kenya, said the
deal was "an important stepping stone" which would help build a sustainable
museum sector in Africa. "Rather than view the collections as belonging to
one institution, the museum community should instead consider them as global
heritage. This is the future for collaboration." The exhibition, Hazina -
Traditions, Trade and Transitions in Eastern Africa, was "greatly awaited"
in Nairobi, he added.

Mr Lagat explained that hazina is a Swahili word for treasures,
encapsulating ideas of beauty and value. "In this context, it denotes the
rich cultural traditions of the people of eastern Africa," he said.

The exhibition will explore themes such as trade, leadership and
contemporary culture when it opens in March. For instance, only when the
Akamba people of Kenya fought alongside the Zaramo people of Tanzania in the
First World War, did they learn the skill of figurative carving for which
they are now well known. The exhibition is set to be followed by similar
shows in Ethiopia and Mali.

Plans are underway for an exhibition with the National Museum of Ethiopia to
celebrate the Ethiopia Millennium in 2007-08. The British Museum is also
working with Mali on plans for an exhibition on gold in West Africa. And a
show exploring Asante funerary practices is being planned with the National
Museum of Ghana. 

When the Kenyan curator Kiprop Lagat was invited in to the British Museum
this year, he was given free rein to peruse all the 12,000 treasures in its
vast eastern Africa collections. 

Now, in a groundbreaking deal which could resolve decades of bickering over
Britain's colonial plundering, 140 of those items are going back to Africa
for the first time for a special exhibition which will open in Nairobi in
the spring.

Visitors to the Kenyan show will get the chance to see wooden sculptures,
silver and beaded jewellery and circumcision masks thousands of miles from
their "home" in London - but much closer to the communities that made them.

"There are things here I hadn't seen before, things that were collected in
Kenya," Mr Lagat said at the British Museum yesterday. "It was very
exciting."

The unprecedented collaboration, announced yesterday, between the National
Museums of Kenya and the British Museum, sees the British institution
bidding to make its claim to be the treasure store of the world a practical
reality.

Neil MacGregor, the museum's director, said: "We hope it will be a model for
the future. The British Museum is committed to developing these kinds of
collaborations across the world to generate a deeper understanding of a
global citizenship."

With increasing numbers of claims for the restitution of cultural objects to
the Third World, the museum has been rethinking its role to emphasise that
it holds such heritage in trust. The new approach means there will be more
loans and exhibitions, as well as training programmes for curators and
support for conservation and research.
A conference for museum professionals from across sub-Saharan Africa will
take place in Mombasa next week with backing from the British Council and
the Department for Culture, Media and Sport, which have pledged a total of
£1m between them towards the African initiative.

Dr Farah Idle, director general of the National Museums of Kenya, said the
deal was "an important stepping stone" which would help build a sustainable
museum sector in Africa. "Rather than view the collections as belonging to
one institution, the museum community should instead consider them as global
heritage. This is the future for collaboration." The exhibition, Hazina -
Traditions, Trade and Transitions in Eastern Africa, was "greatly awaited"
in Nairobi, he added.

Mr Lagat explained that hazina is a Swahili word for treasures,
encapsulating ideas of beauty and value. "In this context, it denotes the
rich cultural traditions of the people of eastern Africa," he said.

The exhibition will explore themes such as trade, leadership and
contemporary culture when it opens in March. For instance, only when the
Akamba people of Kenya fought alongside the Zaramo people of Tanzania in the
First World War, did they learn the skill of figurative carving for which
they are now well known. The exhibition is set to be followed by similar
shows in Ethiopia and Mali.

Plans are underway for an exhibition with the National Museum of Ethiopia to
celebrate the Ethiopia Millennium in 2007-08. The British Museum is also
working with Mali on plans for an exhibition on gold in West Africa. And a
show exploring Asante funerary practices is being planned with the National
Museum of Ghana. 

http://news.independent.co.uk/